Production Services

New Zealand and international DPs shooting on ARRI, RED, and Sony systems to execute your creative vision.

The production team used two-camera interviews which transitioned to 12-camera live events with switching and genlock and coordinated coverage.

MōVI, DJI Ronin, and classic Steadicam operators for fluid tracking shots in tight spaces.

The aviation authority has authorized pilots who hold aerial filming permission to operate above New Zealand cities and coastlines and protected areas.

Certified dive crews at Pacific, Tasman Sea, and pool locations with RED and ARRI housings.

The camera system uses motion control to record extended periods of time for three different types of footage which include sunrise-to-sunset sequences and construction progress and city activity.

The company employs New Zealand gaffers who specialize in day-for-night production and period piece and modern interior work at teams ranging from 2 to 20 members.

Dolly, jib, and track systems with key grips experienced in New Zealand studio stages and location work.

ARRI SkyPanels, Astera tubes, and Aputure fixtures with crew for fast setups and RGB color control.

The production equipment includes silent generators which operate in remote locations and lithium battery systems which allow documentary filming during run-and-gun operations.

Sound mixers use multi-track recorders to perform their work which includes timecode synchronization and backup recording for both scripted and documentary content production.

The boom operators who have experience will predict blocking situations while they handle cables to achieve clear dialogue during difficult acoustic settings.

The production team uses Sennheiser and Lectrosonics and Wisycom systems which they coordinate by frequency for their multi-talent shoots that take place in areas with strong RF interference.

The sound department operates at full capacity with its mixer and boom and utility equipment which adjusts to meet the requirements of dramatic dialogue and high-energy reality content.

The company provides ADR services from Auckland together with Foley work and dialogue editing and 5.1/Dolby Atmos mixing for both broadcast and theatrical distribution.

ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages from New Zealand rental houses with 24-hour prep service.

The production team maintains departmental coordination throughout long production periods through their implementation of Clear-Com and Motorola systems and their use of encrypted digital communication.

HMI, tungsten, LED, and practical packages from Auckland, Wellington, and Queenstown rental houses with truck delivery.

The installation of studio stages and locations requires experienced New Zealand electricians to perform distro box installation and cable run and tie-in work.

The DIT carts provide live color preview and LUT management and they have built-in backup systems which protect your recorded footage from start to finish of production.

The facility provides wireless HD transmission stations which allow directors and clients to watch content through playback systems that also include reference monitors for viewing.

The production team in New Zealand handles three main responsibilities which include managing USD-based budgets and enforcing local labor laws and performing daily production tasks.

Experienced 1st ADs managing floor operations and 2nd ADs handling background, call sheets, and international co-production logistics.

The office-based coordinators handle all tasks including travel arrangements and accommodation bookings and vendor invoice management and production paperwork processing.

Experienced PAs who know Auckland streets, prep locations, wrangle talent, and manage craft services.

On-set managers liaising with property owners, neighbors, and authorities to resolve issues as they arise.

The casting directors based in Auckland maintained connections to New Zealand talent agencies and regional actors and specialized extras pools.

Continuity tracking wardrobe, props, and screen direction with detailed notes for the edit bay.

The HMU team provides beauty services and aging and wound and period look makeup applications which take place in trailers or on-set quick-change stations.

The aviation authority has authorized pilots who operate Inspire and Matrice drones and heavy-lift systems to fly their aircraft above New Zealand residential areas and urban districts.

Phantom Flex and RED at high frame rates for product reveals, sports, and automotive shots requiring slow-motion detail.

The system uses ISO recording and switching to provide coordinated coverage for concerts and talk shows and multi-angle documentary scenes.

Pacific coast dive teams, pool rigs, and underwater housings for swimming sequences and product shoots in water.

The system generates VR experiences and virtual tours and immersive branded content through its 360-degree camera arrays which also record spatial audio.