SCENE 01 / WIRELESS AUDIO SYSTEMS
Wireless Audio Systems
Professional wireless microphones and RF coordination for productions throughout New Zealand.
Here is how this works in practice. Wireless audio systems give cable-free transmission of microphone signals, intercom feeds, and tracking audio across production sets. We set up frequencies compliant with RSM rules across New Zealand locations, managing RF challenges from Wellington's urban environment to remote South Island wilderness. Digital wireless technology delivers reliable, high-quality audio transmission that gives talent freedom of movement and sound departments flexibility in complex shooting environments.
Here is the short of it. We source wireless audio systems with the channel capacity and frequency planning your production demands across New Zealand. Our team handles range scanning compliant with RSM New Zealand frequency rules, system setup, and backup gear to make sure interference-free wireless audio performance across your shoot, no matter location complexity.
Capabilities
Complete Wireless Solutions
We provide professional wireless audio systems with full frequency coordination, ensuring reliable performance in any production environment.
01
Lavalier Systems
- DPA, Sanken, Countryman mics
- Concealment techniques
- Costume integration
- Sweat and movement management
- Multi-pack configurations
Invisible Audio
02
RF Management
- Frequency coordination
- Spectrum scanning
- Interference avoidance
- Multi-channel systems
- Licensed frequency access
Clean Spectrum
03
Transmitter Systems
- Lectrosonics, Wisycom, Sennheiser
- Bodypack and plug-on units
- Long-range operation
- Encrypted digital systems
- Backup redundancy
Reliable Signal
04
IFB & Comms
- Talent earpiece systems
- Director communication
- Multi-zone coverage
- Crew intercom integration
- Live broadcast feeds
Clear Comms
On Location
RF-Engineered Wireless Audio for NZ Productions
Here is how this works in practice. Our wireless audio packages in New Zealand standardise on Lectrosonics SRc / SMQv / DCHT / DCHR, Wisycom MTP41 / MCR54, Sennheiser Digital 6000 and EW-DX, and Sound Devices A20-Mini for digital-secure picture-day deliverables. IFB feeds via Comtek M-216 / PR-216, intercom over Riedel Bolero, Clear-Com FreeSpeak II, and Motorola CP200d for stadium-tier multi-cam. RF scanning, planning, and post-build sweeps via Shure Workbench and Wireless Designer are standard on Stone Street Studios sound-stage work, Kumeu Film Studios features, and any live-broadcast load at Sky Stadium Wellington, Eden Park Auckland, or Spark Arena 12K-capacity events. Talent body-pack hides — specific under harakeke flax garments and classic Māori costume for shoots including Whale Rider, Hunt for the Wilderpeople, and ongoing Rings of Power Amazon Prime episodes — receive sound-utility care from Auckland and The capital wireless pros.
Here is the short of it. Radio Spectrum Management (RSM) is the NZ regulator for wireless frequency licensing — planning is required above gathering thresholds. Stadium events, festival sites (WOMAD New Plymouth, Splore, Rhythm and Vines Gisborne, Wellington WOW), and broadcast venues all need pre-shoot frequency clearance. We route RSM applications through Tait Communications (Christchurch HQ — worldwide major radio comms manufacturer) where bespoke planning is needed. The trans-Tasman 3-hour Sydney-Auckland window means Australian RF gear can rotate fast under MEAA-Equity NZ reciprocal credentialing. NZSPG 20% + 5% productivity uplift records runs through the New Zealand Film Commission, with WorkSafe NZ compliance on antenna rigging, ACC universal accident insurance, and Maritime NZ frequency rules applying to any vessel-based work in Fiordland, the Marlborough Sounds, Bay of Islands, and Kaikoura whale-watching shoots.
FAQ
Wireless Equipment Inventory
What wireless systems do you provide?
Here is the breakdown. We give pro wireless systems from top manufacturers including Lectrosonics (Digital Hybrid, DSQD), Wisycom (MCR series), Sennheiser (Digital 6000, EW series), and Audio Ltd (A10). System selection depends on your production needs, budget, and operating environment.
How do you handle frequency coordination in New Zealand?
Here is what that looks like on the ground. We manage frequency planning according to New Zealand RF rules (ANFR). This has range scanning at your locations, planning with other shoots sharing venues, and making sure compliance with licensed frequency bands. We handle the tech complexity so your production stays legal and interference-free.
What lavalier microphones do you recommend?
We give premium lavaliers from DPA (4060, 4061, 6060), Sanken (COS-11), and Countryman (B6). Microphone selection depends on application—we recommend based on concealment needs, sound traits, and compatibility with wardrobe and talent.
Can you support large multi-channel productions?
Yes. We often support shoots needing 20, 30, or 40+ wireless channels. This has feature films, large-scale commercials, and live events. We give frequency planning, enough receivers, backup systems, and skilled operators to manage complex wireless deployments.
What about IFB and communication systems?
We give IFB (interruptible foldback) systems for talent earpieces, director communication, and live broadcast applications. This has Comtek, Lectrosonics IFB, and Shure PSM systems, set up with your production's wireless microphone frequencies.
Do wireless systems come with operators?
Wireless gear can be rented standalone or with skilled sound teams who handle all wireless management. For complex deployments, we recommend including operators who specialize in RF planning and talent wiring.
Related Services
Productions in New Zealand that need this often pair it with Boom Operators, Sound Recordist Teams, and Location Sound Services for full coverage. Most projects also draw on Wireless Microphone Systems and Wireless Systems.
On Set
Get Wireless Audio Systems
Tell us about your production's wireless requirements and we'll design the right system package.