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Glenorchy - filming location in New Zealand

SCENE 01 / WIRE CAM SYSTEMS

Wire Cam Systems

Cable-suspended cameras for dynamic overhead coverage.

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Here is how this works in practice. Wire cam systems suspend cameras on motorized cable rigs to achieve sweeping overhead shots, dramatic reveals, and dynamic tracking movements across large spaces. These systems give stable, repeatable camera paths that cover distances and elevations beyond the reach of cranes or dolly systems.

Here is the short of it. We source wire cam systems and skilled rigging crews for your production's specific venue and shot needs. Our team sets up installation, safety certification, and operational rehearsals to make sure your wire cam delivers reliable, smooth camera movement across filming.

Capabilities

Wire Cam Services

Spidercam and cable camera solutions for any venue.

01

Wire Systems

  • Spidercam rigs
  • Single-line systems
  • Multi-point cable
  • 3D movement
  • High-speed capable

Dynamic Flight

02

Camera Heads

  • Stabilized gimbals
  • Remote operation
  • Pan/tilt/roll
  • Focus control
  • Live monitoring

Full Control

03

Applications

  • Stadium coverage
  • Concert filming
  • Sports broadcast
  • Film production
  • Large events

Any Venue

04

Support

  • Technical crews
  • Rigging teams
  • Safety officers
  • Installation
  • Operations

Expert Teams

Fly Through Any Space

Capabilities

3D
Movement
High
Speed
Stabilized
Footage
Any
Venue

Our Process

1

Venue Survey

Assessing the space, rigging points, and needs for cable installation.

2

System Design

Designing the wire cam setup for your specific coverage needs.

3

Installation

Pro rigging and safety-certified installation of the cable system.

4

Operation

Pro operation during production with real-time camera control.

On Location

Wire Cam Rigging for NZ Action, Sport, and Scenic Tracking

Here is how this works in practice. Our wire cam systems in New Zealand span Spidercam Light single-axis dolly cams, NEWTON-stabilised 2-axis cinema heads, Defy Dactylcam single-line scenic trackers, Cobra Crane Polecam-class rigs, and Pixelfine 3-axis rigs for short-throw studio and gallery work. Standard payloads handle ARRI Alexa Mini LF, Sony Venice 2, RED V-Raptor / Komodo, and Blackmagic URSA Broadcast G2 packages, with full timecode lock, Teradek wireless tracking, and follow-focus support.

Here is how this works in practice. Stadium installations cover Eden Park Auckland (All Blacks rugby — 50K+ capacity), Sky Stadium Wellington, Spark Arena Auckland (12K indoor concerts). Western Springs Stadium (50K outdoor), Bay Oval and Hagley Oval (Black Caps cricket), with America's Cup 2021 and FIFA Women's World Cup 2023 cementing the country's tier-one stadium-wire credentials. Scenic-tracking wire cam work covers Glenorchy (LOTR Lothlorien). Mount Sunday (Edoras), the Crown Range above Queenstown, AJ Hackett Kawarau Bridge bungy (bungy invented there in 1988), and adventure-tourism brand subjects.

Here is the short of it. NZ wire cam ops need WorkSafe NZ working-at-height certification, structural engineering sign-off for anchor points and tensioning loads, and Aviation Authority consultation where rigs cross covered airspace. Stadium installations are set up with Eden Park Trust, Sky Stadium Wellington, Auckland Unlimited, and Live Nation NZ for concert events. Where the project needs Sky-Cam-class long-span rigs not held in domestic inventory, we set up cross-Tasman with Filmworks Sydney and Bickers Action Sydney under the 3-hour flight rotation and MEAA-Equity NZ reciprocal credentialing.

Here is the short of it. The Wellywood wire cam heritage runs through LOTR, King Kong, Mortal Engines, Avatar Way of Water at Stone Street Manukau The capital, and the ongoing Rings of Power Amazon Prime production based in Auckland. NZSPG 20% + 5% productivity uplift records runs through the New Zealand Film Commission, with Department of Conservation concessions integrated for any conservation-estate installations and iwi/hapū consultation under Te Tiriti o Waitangi where culturally major whenua feature in the rig path.

FAQ

Frequently Asked Questions

What is a wire cam/Spidercam?

Here is the breakdown. Wire cams (like Spidercam) are camera systems suspended on cables between many points. By controlling the cable lengths from each anchor point, the camera can move freely in 3D space—horizontally, vertically, and everywhere between.

What venues suit wire cam systems?

Wire cams work in any venue with suitable anchor points—stadiums, arenas, concert halls, large studios, and outdoor events. They're specific valuable where traditional crane or drone coverage isn't practical or permitted.

How fast can wire cams move?

Here is what that looks like on the ground. Modern wire cam systems can achieve impressive speeds—Spidercam systems can travel at over 30 km/h while keeping stable footage. This makes them ideal for following fast action in sports and dynamic event coverage.

What about safety?

Safety is paramount. Wire cam systems have many redundant cables, automatic tension tracking, and fail-safe mechanisms. Our crews are certified riggers who follow strict safety protocols for overhead systems.

Can wire cams work outdoors?

Yes, with appropriate weather planning. Wire cams work for outdoor events, festivals, and even open-air film shoots. Wind limits apply, and we monitor conditions across operation.

What camera packages are available?

Wire cams can carry many camera packages from broadcast cameras to cinema cameras based on the system capacity. All are mounted on stabilized gimbals with remote control of pan, tilt, zoom, and focus.

Productions in New Zealand that need this often pair it with Cable Cam Systems, Aerial Drone Services, and Helicopter Filming for full coverage. Most projects also draw on Portable Power Solutions and Camera & Cinematography.

On Set

Need Wire Cam Coverage?

Tell us about your venue and we'll design the perfect cable camera solution.