Professional Video Editing Services

Here is how this works in practice. We staff general-purpose editors and editorial suites across Wellington and Auckland — Park Road Post, Pop Productions, Resolved Pictures, Top Films, Department of Post, Imagezoo, and The Outfit — running Adobe Premiere Pro for corporate and branded video, Avid Media Composer for broadcast and feature longform, DaVinci Resolve Studio for streaming-and-festival workflows with in-house finishing, and Final Cut Pro X for documentary and creator-driven work.

Here is how this works in practice. Camera package handoff from Panavision Auckland, Rocket Rentals, and Lemac The capital shoots routinely brings ARRIRAW, REDCODE R3D, Sony X-OCN VENICE 2, and Canon CRM C500 Mk II footage into post. Proxy workflows run DNxHR LB through Avid Nexis or ProRes Proxy through Resolve cloud. Frame.io, Evercast, Sohonet ClearView, and Wipster cover remote-producer review. Project scope spans Auckland tourism reels for Air New Zealand, agency-branded video for Saatchi & Saatchi Auckland, NZ on Air-funded documentary, and feature-film picture editorial.

Here is the short of it. NZ editing heritage runs through Jamie Selkirk's editing Oscar on Lord of the Rings Return of the King (2003), the long Peter Jackson editorial campaigns from King Kong through Mortal Engines, Avatar: The Way of Water (2022), Power of the Dog (Jane Campion 2021, Best Director Oscar), Thor: Ragnarok (Waititi 2017), and Whale Rider (Niki Caro 2002). NZ on Air-funded productions follow specific tagging and accessibility milestones. Te reo Māori captions and subtitle work (1987 Language Act) and NZ Sign Language sidecars (2006 Act) ship with broadcast-bound deliveries. Iwi and kaitiaki consultation applies on tikanga-sensitive material. Privacy Act 2020 governs talent likeness in masters. AWS Auckland Region and Azure NZ North provide sovereign storage. GST 15 percent, NZD invoicing, ACC universal cover.